The lineage
FourGenerations.OneChisel.
A craft passed down through a family of sculptors in Pilani, Rajasthan — from hand to hand, guru to shishya, father to son.
The inheritance
A craft older than any single lifetime.
For Naresh Kumawat, sculpture was never a career chosen — it was an inheritance received. Born into a family of sculptors in Pilani, Rajasthan, he grew up surrounded by the tools, the clay, and the discipline of a craft already generations deep.
In this lineage, clay, stone, and bronze were never mere materials — they were sacred mediums, and the work was never just craft, but “a dialogue between devotion and permanence.”

The generations
Handtohand.
Generation One
The Roots
The family's craft takes hold in Rajasthan — a land whose artistic tradition and architectural heritage shaped every hand that followed. The earliest generation establishes sculpture not as a trade, but as a way of life.
Generation Two
The Foundation
The craft is deepened and formalised, carried forward through the discipline of daily practice and passed down by example — the belief taking root that a sculptor's true material is patience.
Generation Three
Matu Ram Verma · Father & Guru
Naresh's father and teacher, under whom the craft became a lifelong sadhana. In his own words:
“Every generation carries forward a legacy in its own way. I see in Naresh the same fire that once guided me, now burning even brighter.”
It was he who taught the first rule — sit, watch, and learn to see before you touch the stone.
Generation Four
Naresh Kumawat · The Murtikar
Taking the inheritance to a scale his forebears could not have imagined — the world's tallest Shiva, the Samudra Manthan mural at Parliament, and works across eighty nations. Rooted in tradition, expanded through modern engineering: Sanatan values meeting modern vision.
The Next Generation
The Continuation
The legacy already reaches toward those who come next — a daughter brought to a master potter's studio “so she could see what a lifetime devoted to a single craft truly looks like.” The chisel, once again, prepares to pass on.
This is a testament not only to a journey, but to the continuity of tradition-where knowledge is passed from guru to shishya, from father to son, and from one generation to the next.
Matu Ram Verma — from the preface to Sculpting Legacy
The thread that never broke
What passes down is not just skill.
Across every generation, one thing has been handed on more carefully than technique: values. Patience. Humility. An unwavering commitment to the work over the reward.
It is why this family sculpts martyrs for their grieving families without charge, and why each monument is built not for a season, but for a thousand years. The materials change with the times. The devotion does not.
Patience
A sculptor's true material.
Humility
The work above the reward.
Devotion
Built for a thousand years.